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ABOUT THE ART

Here you find selected publications about my exhibitions.


AUTHORS

Andrew Margolis

... Zen and the Art of Jazz: Lisa Lyskava at The National Arts Club ...

J. Sanders Eaton

... Lisa Lyskava’s Sizzling, Visceral, Visual Jazz at Gelabert Studios ...

Mario Decker

... The adventure to paint paintings like these continues if the viewer is willing to look at them, to discover ....

Elisabeth Stahl

...Lisa Lyskava’s easy going, the sounds of color and forms full of excitement, the relaxed state of the graphic traces – all this is passed on to the viewer stimulating his mind and his feelings ...

Ralph Erdenberger

... in case colors are able to have a party, they certainly do so in the paintings of Lisa Lyskava ...

Thomas Hengstenberg

...To the artist, each of her works is like a living being...

J. Sanders Eaton

... The musical link carries over into the present in the work of the contemporary German painter Lisa Lyskava ...

Regina Selter

... It was a declaration of profound belief in vividly flowing color, in impulsive gesture and line, and in raw material ...

Stefan Skowron

... “The Sound of Color” is not dying away. Lisa Lyskava’s paintings are like music, utterly varying music, now full of soft harmony, then of a crescendo, pulsating like the heartbeat of those who dare to get involved in them ...

Stefan Skowron

... Indeed, the viewer is received by a symphony, by a whole carpet of sounds and rhythms, harmonies and dissonances ...

Kirsten Xani

...Lisa Lyskava celebrates color. Most of her works impress by their unusual richness in color. With her extraordinary courage in the use of color she holds the tension between an harmonic color structure and its massive breaks...


ARTIST’S STATEMENT

PAINTING ON CANVAS - The creative process? A voyage to an unknown destination. It starts as a splash of paint, a trace of color on the canvas that then begins to mark the way I’m going to take. Colors and shapes condense, they themselves becoming the starting point

LIGHTPAINTING - The digital camera serves me as a means of exploring and investigating my world with the eyes of a painter. I am not concerned with the reproduction of reality, not with the object, but rather with those ways of seeing


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